Field geology, large-format photography, and printed editions of stone — made in Reykjavík, photographed everywhere the rope reaches.
Each folio begins on rope, ends on linen. The studio does not skip the darkroom in between, even when asked to.
Two to four weeks in the field. Specimens catalogued; plates exposed in the field, never speculative.
Reykjavík darkroom. Each negative tested across three papers before the keep is selected.
Linen folios bound by hand in Iceland; numbered editions of 100. Each folio includes one signed plate.
Kohei photographs stone the way someone else might photograph a face. The folio sold out in a fortnight.
The studio takes about eight commissions a year, plus one book and one exhibition.
Two weeks in the Cordillera Blanca. Twenty plates, four kept.
Slate folio reprinted — the second run, signed and numbered.
Speaking at St. Elias on the photographic ethics of geological time.
New darkroom finished. The smell of the building has changed.
Most folios begin with a coordinate, a specimen pulled from a pocket, or a question. The darkroom is friendly to half-formed briefs.